Once you’ve experienced the creative workflow of KeyLab Essential, you’ll wonder how you ever made music without it.
UVI GRAND PIANO MODEL D REVIEW SOFTWARE
With the KeyLab Essential on your desk and its comprehensive set of music software loaded in your computer, the only required step to start experimenting, composing and recording is sitting in front of them. KeyLab Essential is the result of careful research, with the aim of streamlining your creative process, giving you more time to express yourself through music. It’s easy to let your concentration drift and your inspiration slip when you spend hours on tedious tasks.
That’s why we’ve created KeyLab Essential: to make the technical stuff as simple as possible. Never been fan of menu excavations and setting headaches? We think the same. Spend less time with a keyboard and mouse, and more time creating, performing, and playing. KeyLab Essential 49 helps you keep your eye on the target. KeyLab Essential 49 makes navigating your track a breeze thanks to the dedicated DAW Command Center, and makes browsing your presets an exciting, inspiring experience. From the responsive keyboard to the intelligently assigned knobs and faders, you’ll feel like everything you touch turns to gold. Every aspect of KeyLab Essential 49 has been carefully chosen to give you the best possible experience when creating and performing. Music is at the heart of this controller. KeyLab Essential 49lets you focus on what’s important…
So many distractions, so many new things to learn. "UVI’s new Super-7 intrument is an easy-to-use source of classic 80s sounds that’s an all-in-one solution.Creating music in the digital world is sometimes a little challenging. MusicRadar verdict: Re-explores the wealth of sonic weight provided by its Juno and 707 counterpart, with many substantial benefits. Add extensive effects, two envelopes and tons of programmable options and this is a nifty way to get a 106 and 707. The Super-7 gives all the 106-style samples from the ground up, with an additional multimode filter, which provides a versatile colour as an addition to the sampled content. UVI has captured this spirit, providing multi-layered-presets for an instant 80s karaoke soundtrack, with a single note trigger. Let’s applaud UVI the Super Quartet was a mostly-failed box with great charm. This means you have a large amount of programmability, albeit complete with a filter that is functional, rather than modelled, but it does do a highly convincing job. However, the company has also taken matters to the next level, with dual envelope control, real-time arpeggiations, effects and more. Consequently, Super-7 shows an extensive set of pros and cons the sound you hear is the real deal, straight from an original machine, so you cannot argue whether it sounds like an original or not! UVI has extensive skills in this arena, with some of the best sounding softsynth facsimiles around. UVI instruments are sample-based and not modelled. This role reversal is where the Super-7 scores high, though do note the context. This allowed for the presets to be repurposed to suit production, rather than dictating it. While the original Super Quartet was a preset machine, armed with the right SysEx tools and software, you could mangle the internal sounds. Meanwhile, the fantastic overdrive and equalisation sections shore up those UVI production-ready principles. These are great start points for user patches, alongside the section’s arpeggiator. The bass sounds benefit from that beautifully familiar 106 depth, and while there are a smattering of presets, UVI has sampled a huge number of 106 waveforms, combining Saw, Square, a sum of both and the sub. While there’s a similarity between these areas, the distinction is apparent through the preset content and its access to polyphonic operation. Over in 106-land, preset sounds are split between the Bass, Melody and Synth sections. It’s also a simple procedure to export the patterns as MIDI files, for dropping into the DAW and programming potential. Somewhat regrettably, there is no drum pattern editor, but you can trigger preset patterns, while also triggering individual sounds from within your DAW. This modelled alternative from Roland is one of the best in its class.Ĭomplete with a semi-battered casing graphic, this is modelled to a very exacting specification.
0 kommentar(er)
